人文景观作为人类社会创造的产物，总是发生在一定的历史时期，与当时的社会有密切的联系，

Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.

It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.

We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the Publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviews who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. "So few authors have brains enough or literary gift enough to keep their own end up in journalism," Newman wrote, "that I am tempted to define ’journalism’ as ’a term of contempt applied by writers who are not read to writers who are’."

Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England’s foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.

Is there any chance that Cardus’s criticism will enjoy a revival The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat.

What can be learned about Cardus according to the last two paragraphs（）

A. His music criticism may not appeal to readers today

B. His reputation as a music critic has long been in dispute

C. His style caters largely to modern specialists

D. His writings fail to follow the amateur tradition

（12分）习 * * * * 提出共同建设横跨欧亚的“丝绸之路经济带”的构想，引起了相关国家的强烈反响。阅读下列材料，回答问题。

材料一 

材料二 沿着这条道路，中国的丝织品以及冶铁、凿井、造纸等技术相继西传，西方的皮毛、汗血马、瓜果以及佛教、魔术、音乐、舞蹈、雕塑等也纷纷东来。“丝绸之路”成为东西方经济文化交流的桥梁。

----摘自北师大版《中国历史》七年级上册

材料三 在今年的博鳌亚洲论坛上杨洁篪表示，古代的丝绸之路是商贸之路，而今天的丝绸之路则把经贸合作放在重要位置。中国将与沿线国家对接发展战略……实现中国与沿线国家的共同发展。

----摘自新华网

（1）结合所学知识，请将图4丝绸之路路线中的A、E两处填写完整。（4分）

（2）材料二体现了丝绸之路的双向交流，其中佛教传入我国是在何时？改进造纸术，促进文化传播的关键人物是谁？（4分）

（3）综合上述材料，你认为古代丝绸之路在中外交往中有何重要地位？今天中国重提丝绸之路，共建“丝绸之路经济带”有什么现实价值？（4分）

在软件开发的V 模型中，应该在（18）阶段制定单元测试计划。

A．需求分析

B．概要设计

C．详细设计

D．代码编写

小行星绕恒星运动，恒星均匀地向四周辐射能量，质量缓慢减小，可认为小行星绕恒星运动一周的过程中近似做圆周运动，则经过足够长的时间后，小行星运动的（   ）

A．半径变大

B．速率变大

C．角速度变大

D．加速度变大